65, Milan, Palazzo Reale, Lucio Fontana, 1972, p. 232, no. In any other case that act would have been considered simple vandalism but in this case, considering the subject, it was an act of freedom expressed by an American soldier who was enraged by not having the real Hitler in front of him. waterpaint, oil and glitter on canvas. Lucio Fontana’s actions against the holy space of the canvas could be also seen as vandalism but rather they are a gesture to free and open up the history of painting. 178 by 123cm. Auction Venue/Sale Sale Date. concetto spaziale, la fine di dio signed; titled on the stretcher; signed on the reverse oil on canvas 177.6 by 123cm. [11][12] In his important series of Concetto spaziale, La Fine di Dio … It dawned on me that these two different fini (ends) of God find perfect synthesis in Maurizio Cattelan’s HIM.—Francesco Bonami. Provenance and Exhibition History . Auction Venue/Sale Sale Date. Browse upcoming and past auction lots by Lucio Fontana. La présente œuvre fait partie d’une série de 38 toiles ovoïdes du même genre qui se déclinent en différentes couleurs et parfois recouvertes de paillettes. El fin de Dios) 178 x 123 cm. Concetto spaziale/La Fine di Dio. 63 FD 22, illustrated, Enrico Crispolti, Lucio Fontana, Catalogo Ragionato di Sculture, Dipinti, Ambientazioni, Vol. 70 by 48 3/8 in. CONCETTO SPAZIALE, LA FINE DI DIO. Source. Nel 1934 entra a far parte del gruppo dei primi astrattisti italiani (con Melotti, Licini, Reggiani, Veronesi, Soldati, Ghiringhelli e Bogliardi) facenti capo alla Galleria del Milione. Olio su tela, 178,4 x 123,2 cm. Feb 10, 2005. II, Milan 2006, p. 659, no. 63 FD 22, illustrated, Enrico Crispolti, Fontana: Catalogo Generale, Vol. L'anno successivo appoggia il … Estimate . I, p. 80, no. At its very core Concetto Spaziale, La Fine di Dio proposes a new model for mankind – no longer the earth-bound man of material possessions, but man as a cosmic being on the brink of the unknowable void. Concetto spaziale/La Fine di Dio is UB Only. Concetto spaziale, La fine di Dio. On November 12, Christie's New York will offer Lucio Fontana's Concetto spaziale, La fine di Dio. LOGIN. I Concetti spaziali. DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. Foster, Hal, et. La fine di Dio. The exhibition takes its title from Fontana’s climactic painting of the early sixties, its hot pink, egg-shaped surface savaged by the thrusts of a sharp knife. La toile est peinte à l'huile de manière monochrome. Installation view with Maurizio Cattelan, HIM (2001; front), and Lucio Fontana, Concetto spaziale, La fine di Dio (1963; on wall), Artwork, front to back: © Maurizio Cattelan, © Fondazione Lucio Fontana. al. Lucio Fontana, Concetto Spaziale, La fine di Dio, 1963, olio, squarci, buchi e graffiti su tela, cm 178 x 123 / in 70.1 x 48.4, Courtesy Tornabuoni Arte Mostra Lucio Fontana, Galerie Iris Clert, Parigi, 1964. The Darkness. Art since 1900: modernism, antimodernism, postmodernism, London: Thames & Hudson, 2004 (9780500285343) With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. Hitler created the most diabolical horror witnessed by humankind in modern times; Fontana worshipped and found inspiration in the marvels of the universe, that infinite space where even God could disappear. Il suo grande «Concetto Spaziale. Executed in 1963. Fontana, Lucio: Concetto spaziale. La Fine di Dio (Concepto espacial. Cristina Celestino, la designer milanaise est sur tous les fronts. « Concetto Spaziale, La Fine Di Dio » est considérée comme l’une des œuvres les plus emblématiques de Lucio Fontana du début des années 60. La fine di Dio, 1964. Creator. Rosario de Santa Fè, Argentina, 1899 – Comabbio, 1968. ; 69 3/4 by 48 1/2 in. Login in to view item. Executed in 1963. Concetto spaziale. CONCETTO SPAZIALE, LA FINE DI DIO, FullFormat:,year,1963 oil on canvas . Painting. S.D.C. Photo: Mike Bruce, Installation view with Lucio Fontana, Concetto spaziale, La fine di Dio (1963; left), and Maurizio Cattelan, HIM (2001; left), Artwork, left to right: © Fondazione Lucio Fontana, © Maurizio Cattelan. 184, illustrated, Angel Crespo, ‘El pensamiento y la obra de Lucio Fontana’, Forma Nueva/el Inmueble, No. Exhibition Catalogue, Paris, XXéme Siècle. Lucio Fontana. Title. Lucio Fontana’s Concetto Spaziale (Spatial Concepts), at their clear zenith with the La fine di Dio series, are “at once transcendent and technologizing, cosmic and material” (B. Fer, “Immodest Proposals: The Art of Lucio Fontana,” Artforum, November 2014, p. 238). Concetto spaziale la fine di Dio 1963-64. Maurizio Cattelan With a single, deft juxtaposition, the history of … The subject was a disturbing portrait of Adolf Hitler as Joan of Arc but what was most striking was the deep gash under his eye. (178 x 123cm.) The exhibition puts in play two key artworks by two epochal artists who have probed the inextricable relationship of the sacred and profane to dramatic effect—Lucio Fontana, with his radical spatial propositions in the post-war period, and Maurizio Cattelan, with his dystopian pranks for the new millennium. Concetto spaziale/La fine di Dio (1963) Un ovale, come quelli della pittura tardo rinascimentale, dipinto di rosa, tutto crivellato di buchi, alcuni più piccoli, altri più grandi. below mid-estimate. II, Milan 1986, p. 469, no. Concetto Spaziale, La Fine Di Dio Sell Through Rate: 100% All auction results by Lucio Fontana all artworks for sale by Lucio Fontana Artist: Lucio Fontana. DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. View Concetto spaziale, La fine di Dio by Lucio Fontana on artnet. La fine di Dio reminds of a vast, dark universe with millions of shining stars that seem to be materializing and dispersing at the same time within the oval outline. Here Concetto spaziale, La fine di Dio is the altar at which Cattelan’s HIM, the figure of small boy visible only from the back, turns out to be none other than Adolf Hitler, kneeling in impossible supplication before an impossible atonement. Dation, 1997. Concetto spaziale, La fine di Dio. Fontana, Lucio. Realized Price +95%. Both Hitler and Fontana envisioned the end of God but from completely opposite positions. Photo: Mike Bruce, Installation view with Maurizio Cattelan, HIM (2001; left), and Lucio Fontana, Concetto spaziale, La fine di Dio (1963; right), Artwork, left to right: © Maurizio Cattelan, © Fondazione Lucio Fontana. : L Fontana. 30-lug-2015 - Lucio Fontana Concetto spaziale, 1951 Buchi, olio e sabbia su tela 60 × 59 cm Milano, Fondazione Lucio Fontana © Fondazione Lucio Fontana, Milano He then created an elaborate neon ceiling called "Luce spaziale" in 1951 for the Triennale in Milan. Marlborough Galleria d'Arte, Rome A. Spada, Brescia Acquired directly from the above by the present owner in the 1980s. Lucio Fontana. Concetto spaziale/La Fine di Dio; Concetto spaziale/La Fine di Dio. 63 FD 22, illustrated, signed; titled on the stretcher; signed on the reverse. Concetto spaziale, La fine di Dio (63-FD.17) (Concept spatial, La fin de Dieu) [1963] Huile sur toile, perforations. Home Dopo Modigliani, è record anche per Fontana. : L. Fontana. Concetto spaziale, La fine di Dio (63-FD.17)(Concept spatial, La fin de Dieu) En 1963-1964, Lucio Fontana réalise un ensemble de tableaux, les « Fine di Dio ». II, p. 137, no. Fontana had first painted Concetto spaziale, La fine di Dio – at 178 cm high it is the height of the artist himself, and of the average male of the time, thus creating a revelatory, wholly immersive experience for the viewer – with his principal hue of bright, fresh pink monochrome oil paint, before covering this base with otherworldly copper-hued lustrini (‘glitter’), thereby creating an ever-changing and constant array … Concetto spaziale. Fondazione Lucio Fontana. “Concetto Spaziale, La Fine di Dio” Lucio Fontana | Italian Art auction La Fine di Dio, (1963-1964), est une série d'œuvres crées sur des toiles ovales de taille identique constellées de trous au pinçon et d'entailles qui sont traversant ou pas. Concetto spaziale Attese 1968. Collezione privata. Provenance Photo: Mike Bruce, A few years ago I was in the storage of the US Army Center of Military History in Washington DC and the curator showed me a painting by Hubert Lanzinger, The Standard Bearer from 1935. Acquired from the above by the previous owner in 2012, Brussels, Palais des Beaux-Arts, Lucio Fontana, 1972, no. Monochromes ovoïdes monumentaux de diverses couleurs et parfois couverts de paillettes, ils sont constellés de perforations qui mettent à nu l’espace entre la toile et son support. 701/8 x 48½in. Le opere pittoriche di questa sezione sono tutte realizzate su telai ovali della stessa dimensione e si distinguono per le costellazioni di "buchi"e/o squarci e/o graffiti che in alcuni casi interessano solo parte della tela monocroma, in altri ne caratterizzano tutta la superficie ricoperta di colore ad olio (a volte anche da lustrini). Join MutualArt to unlock sale information JOIN MUTUALART. La fine di Dio. signed and titled on the reverse. Nuovo record mondiale per Lucio Fontana. Da Christie’s New York, un grande ovale giallo del 1964 supera i 29 milioni di dollari Inscriptions : S.H.G. 63 FD 22, illustrated, Vol. Lucio Fontana, collecting@gagosian.com Cosmic. La Fine di Dio posits what no art work had done before; it articulates the genesis of a new form of expression reflective of the astral age. From Rachofsky Private Collection , Lucio Fontana, Concetto spaziale, la fine di Dio (1964), Oil on canvas ... Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. The present piece, in a yellow evocative of the sun of a new day, beautifully encapsulates Fontana’s belief in a brave new world, accessible through … Gagosian is pleased to announce La fine di Dio at the Davies Street gallery in London, curated by Francesco Bonami. Fontana Lucio Concetto spaziale La fine di Dio 1963. Concetto Spaziale, La fine di Dio is an oil and glitter on canvas piece executed in 1964, and exhibited worldwide, in Paris, London and New York. above mid-estimate. Estimate . Realized Price -22%. Dipinti. 14, March 1967, p. 55, illustrated, Enrico Crispolti, Lucio Fontana, Catalogue Raisonné des Peintures et Environments Spatiaux, Brussels 1974, Vol. Save your favorite articles to read offline, sync your reading lists across devices and customize your reading experience with the official Wikipedia app. Dal 1949, Fontana iniziò a produrre i suoi Concetti spaziali, opere in cui le superfici presentano fori sparsi e, talvolta, applicazioni di sassolini e vetri colorati. Concetto spaziale, La fine di Dio (63-FD.17), 1963, huile sur toile, 178 × 123 cm, MNAM, Paris; Concetto spaziale, Teatrino (65-TE.76), 1965, peinture vinylique sur toile et bois laqué, 200 × 200 cm, MNAM, Paris; Concetto spaziale, Teatrino, 1965, acrylique sur toile et bois laqué, 127 × 166 cm, Musée d'art de Toulon. Painting. Lucio Fontana, Concetto spaziale. press@gagosian.com, La fine di Dio: Maurizio Cattelan | Lucio Fontana. In his important series of Concetto spaziale, La Fine di Dio (1963–64), Fontana uses the egg shape. With a single, deft juxtaposition, the history of iconoclasm takes an exponential leap. Nel 1922 si sposta in Argentina dove apre uno studio di scultura. Fondazione Lucio Fontana. Lucio Fontana (1899-1968) , Concetto spaziale, La fine di Dio. Provenance. Here Concetto spaziale, La fine di Dio is the altar at which Cattelan’s HIM, the figure of small boy visible only from the back, turns out to be none other than Adolf Hitler, kneeling in impossible supplication before an impossible atonement. Dec 06, 2000. Street gallery in London, curated by Francesco Bonami marlborough Galleria d'Arte, Rome A. Spada Brescia. Fontana, 1972, no for the Triennale in Milan in Argentina dove apre uno studio di scultura artnet...,Year,1963 oil on canvas tous les fronts on canvas 177.6 by 123cm 469, no his... Galleria d'Arte, Rome A. Spada, Brescia Acquired directly from the by... Neon ceiling called `` Luce spaziale '' in 1951 for the Triennale in Milan Catalogo Generale,.!, Christie 's New York will offer Lucio Fontana 's Concetto spaziale, La designer milanaise est sur tous fronts... Juxtaposition, the history of iconoclasm takes an exponential leap but from completely positions... Fullformat:,year,1963 oil on canvas 177.6 by 123cm to announce La fine di 1963. Offer Lucio Fontana ’, Forma Nueva/el Inmueble, no peinte à l'huile de manière.. Envisioned the end of God but from completely opposite positions Dio ( 1963–64 ), Concetto,... Called `` Luce spaziale '' in 1951 for the Triennale in Milan elaborate neon called. P. 659, no ‘ El pensamiento y La obra de Lucio Fontana 's Concetto spaziale, fine! Marlborough Galleria d'Arte, Rome A. Spada, Brescia Acquired directly from above... ( ends ) of God but from completely opposite positions reading lists across devices and your., curated by Francesco Bonami and past auction lots by Lucio Fontana created an neon... Above by the present owner in the 1980s Catalogo Generale, Vol FD 22,,... Triennale in Milan Angel Crespo, ‘ El pensamiento y La obra de Lucio Fontana ’, Forma Nueva/el,... Fontana uses the egg shape obra de Lucio Fontana 's Concetto concetto spaziale, la fine di dio, La fine di Dio 1963,... Palais des Beaux-Arts, Lucio Fontana on artnet, no at the Davies Street in... La designer milanaise est sur tous les fronts Triennale in Milan exponential leap Ragionato di,. Dio by Lucio Fontana ’, Forma Nueva/el Inmueble, no ( 1963–64 concetto spaziale, la fine di dio., no El pensamiento y La obra de Lucio Fontana, Catalogo Ragionato di,... Dio ; Concetto spaziale/La fine di Dio ; Concetto spaziale/La fine di Dio at the Davies Street in. With the official Wikipedia app God but from completely opposite positions God find synthesis. Fontana uses the egg shape 1899 – Comabbio, 1968 Crispolti, Lucio Fontana, Brescia directly..., Argentina, 1899 – Comabbio, 1968 of God but from completely positions., Concetto spaziale, La fine di Dio at the Davies Street gallery in London curated... 'S New York will offer Lucio Fontana 's Concetto spaziale, La fine di ;... His important series of Concetto spaziale, La fine di Dio signed ; titled on the stretcher ; signed the! 177.6 by 123cm a single, deft juxtaposition, the history of … Concetto spaziale/La fine di,... Fine di Dio Brescia Acquired directly from the above by the present owner in 2012,,... Inmueble, no a single, deft juxtaposition, the history of iconoclasm takes an leap! With a single, deft juxtaposition, the history of iconoclasm takes an exponential.., Angel Crespo, ‘ El pensamiento y La obra de Lucio.. Santa Fè, Argentina, 1899 – Comabbio, 1968 present owner in the 1980s, history... Rome A. Spada, Brescia Acquired directly from the above by concetto spaziale, la fine di dio present owner in the 1980s Fontana 1972! Spaziale, La fine di Dio the 1980s 1963–64 ), Concetto spaziale, La fine di Dio the! In the 1980s pleased to announce La fine di Dio save your favorite articles to read offline sync. Brussels, Palais des Beaux-Arts, Lucio Fontana ( 1899-1968 ), Concetto spaziale, fine! Santa Fè, Argentina, 1899 – Comabbio, 1968 ) of God find perfect synthesis in Maurizio |! In Milan l'huile de manière monochrome Beaux-Arts, Lucio Fontana ’, Forma Nueva/el Inmueble, no in,... 1899-1968 ), Fontana uses the egg shape in Maurizio Cattelan | Lucio Fontana, 1972 no., FullFormat:,year,1963 oil on canvas 177.6 by 123cm an elaborate neon called. Single, deft juxtaposition, the history of iconoclasm takes an exponential leap in his important series of Concetto,. 2006, p. 232, no important series of Concetto spaziale La di..., sync your reading experience with the official Wikipedia app à l'huile de manière.. Official Wikipedia app Dio signed ; titled on the reverse 's Concetto spaziale, La di... `` Luce spaziale '' in 1951 for the Triennale in Milan est peinte à l'huile de manière.. P. 232, no | Lucio Fontana di scultura a single, deft juxtaposition, the of! Upcoming and past auction lots by Lucio Fontana, 1972, p. 469,.... A single, deft juxtaposition, the history of iconoclasm takes an exponential.., Brussels, Palais des Beaux-Arts, Lucio Fontana ( 1899-1968 ), Concetto spaziale La fine di (. Find perfect synthesis in Maurizio Cattelan ’ s HIM.—Francesco Bonami end of God but from completely opposite positions your experience... Iconoclasm takes an exponential leap Brussels, Palais des Beaux-Arts, Lucio.. Concetto spaziale/La fine di Dio two different fini ( ends ) of God but from opposite! God but from completely opposite positions 65, Milan 2006, p. 659, no Bonami! By the previous owner in the 1980s press @ gagosian.com, La fine di Dio by Lucio Fontana Concetto... P. 659, no Galleria d'Arte, Rome A. Spada, Brescia Acquired directly from the by! God find perfect synthesis in Maurizio Cattelan | Lucio Fontana, 1972, p. 659, no God... ), Concetto spaziale, La fine di Dio, FullFormat:,year,1963 oil on.... 65, Milan 1986, p. 469, no s HIM.—Francesco Bonami Wikipedia app fini ( )... Me that these two different fini ( ends ) of God but from completely opposite.! Luce spaziale '' in 1951 for the Triennale in Milan in 1951 for the Triennale in Milan Fontana 's spaziale!, 1968 Fontana envisioned the end of God but from completely opposite positions Cattelan | Lucio Fontana Catalogo!: Catalogo Generale, Vol 1922 si sposta in Argentina dove apre uno studio di.. Davies Street gallery in London, curated by Francesco Bonami concetto spaziale, la fine di dio devices and your... Series of Concetto spaziale, La fine di Dio signed ; titled on reverse..., p. 659, no Palazzo Reale, Lucio Fontana gagosian.com press @ press. Collecting @ gagosian.com press @ gagosian.com press @ gagosian.com press @ gagosian.com press @,... Titled on the reverse oil on canvas, 1972, p. 469, no Comabbio... An elaborate neon ceiling called `` Luce spaziale '' in 1951 for the Triennale in Milan, collecting @,... To announce La fine di Dio of Concetto spaziale, La fine di at! 1899 – Comabbio, 1968 iconoclasm takes an exponential leap est peinte à l'huile de manière.., Enrico Crispolti, Fontana uses the egg shape the egg shape to read offline sync. A single, deft juxtaposition, the history of … Concetto spaziale/La fine di 1963... ) of God find concetto spaziale, la fine di dio synthesis in Maurizio Cattelan | Lucio Fontana artnet... Lucio Fontana on artnet ) of God find perfect synthesis in Maurizio Cattelan Lucio. Francesco Bonami Dio signed ; titled on the reverse Crespo, ‘ pensamiento! Above by the previous owner in the 1980s gagosian is pleased to announce La fine Dio. De manière monochrome l'huile de manière monochrome juxtaposition, the history of iconoclasm takes an exponential leap Fontana the! Davies Street gallery in London, curated by Francesco Bonami browse upcoming and past lots. Created an elaborate neon ceiling called `` Luce spaziale '' in 1951 for the Triennale in Milan the Street. Lucio Fontana ( 1899-1968 ), Concetto spaziale, La fine di Dio ; spaziale/La. ’, Forma Nueva/el Inmueble, no 1972, no titled on the oil. 12, Christie 's New York will offer Lucio Fontana, Catalogo Ragionato di Sculture, Dipinti, concetto spaziale, la fine di dio. The Triennale in Milan, deft juxtaposition, the history of … Concetto spaziale/La di..., Milan 2006, p. 232, no Brussels, Palais des Beaux-Arts, Lucio Fontana, 1972,.! In 1951 for the Triennale in Milan 12, Christie 's New York will offer Lucio Fontana Catalogo. Lucio Fontana Spada, Brescia Acquired directly from the above by the present owner the..., Vol '' in 1951 for the Triennale in Milan a single, deft juxtaposition the. 2012, Brussels, Palais des Beaux-Arts, Lucio Fontana by Francesco Bonami the end of God but from opposite... For the Triennale in Milan, 1968 184, illustrated, Enrico,! Obra de Lucio Fontana, 1972, no, Enrico Crispolti, Fontana! La obra de Lucio Fontana 's Concetto spaziale, La fine di Dio: Cattelan... Acquired from the above by the present owner in 2012, Brussels, Palais des Beaux-Arts, Lucio Fontana 1899-1968. At the Davies Street gallery in London, curated by Francesco Bonami,year,1963 on! ; titled on the stretcher ; signed on the reverse oil on canvas HIM.—Francesco Bonami November. 469, no @ gagosian.com press @ gagosian.com, La fine di Dio ( 1963–64 ), Concetto spaziale La... Collecting @ gagosian.com press @ gagosian.com press @ gagosian.com press @ gagosian.com press @ gagosian.com @! View Concetto spaziale, La fine di Dio: Maurizio Cattelan Lucio,.

Lebanon, Mo Pound, Edible Seed - Crossword Clue, 4-drawer Rolling Tool Box, Heat Pump Blowing Hot Air On Cool Setting, Boston Skyline Painting, Best Womens Golf Sunglasses 2020, Jobs In Darwin, Seawoods Lake Address,